Inspired by my first YA (young adult) book review, I decided to pop into the YA section at the library. The first book I saw on the “recommendations” table was Allyse Near’s Fairytales for Wilde Girls. I briefly glanced at the synopsis and thought, hey an Honour Book of The Children’s Book Council of Australia’s got to be passable and popped it into the book bag.
The book sat on my bedside table for a week and a half while I finished up Angela Carter’s Book of Fairy Tales (very, very good but more for adults). The more I looked at the cover, the more doubts I began to have about it. Was it really something I’d like? Or some soppy pre-pubescent gothic romance with glowing vampires and other such rubbish? Yet, when the time came, I decided I’d at least give it ten pages. Boy was I pleasantly blown away.
I’ve always had a predilection for children’s fantasy. In my opinion, the best single, all-round novel is Michael Ende’s The Neverending Story (though a cult favourite, the movies do not come within a hair’s breadth of how great the book is). And of course there is the inimitable Roald Dahl who gave me years of fantastic escapism. However, I’ve not come across anything even near their quality since. Don’t get me wrong, I love the Harry Potter series but the writing itself is just not as good. Then I read Ms Near’s debut novel.
Her prose is pitch perfect. She uses a language both beautiful and suitably challenging for a teenager. Drawing on inspiration from Oscar Wilde, Sylvia Plath and Edgar Allen Poe, she manages to fabricate a vividly colourful world within a tiny English coastal village with exactly the right tones of ghostly horror appropriate for her audience. Her main character, Isola Wilde, named after Oscar Wilde’s ill-fated younger sister, is at once identifiable as a girl who stands out for being herself. Isola can see things that others can’t, including ghosts, fairies, mermaids and gargoyles. Then one day, walking through her beloved wood, she comes across a dead girl in a cage who proceeds to haunt her in a terrifying way. Isola finds herself slowing becoming possessed by this ghost despite the best efforts of her six guardian “princes”. Interwoven through this is her unhealthy relationship with her manic depressive mother who fed her on the fairy tales that seem to be swallowing her up. Can her new love interest, Edgar save her?
It’s one of those rare books that I did not rush through the end because I wanted to start a new book.
The ending is also pretty spectacular. Perhaps not the most original but still perfect in its execution. The only thing I’d change is the cover.
When I closed this book, I had a massive smile on my face. I cannot wait for Ms Near’s next work.